Pounds of Flesh
Paul Krugman, over at conscience of a liberal, drew attention to this very funny airport sign the other day.
Paul Krugman, over at conscience of a liberal, drew attention to this very funny airport sign the other day.
Posted by Anika at 7:25 PM 0 comments
As everyone knows, I had a problem with “Eat, Pray, Love.” I tell people I didn’t like Gilbert’s voice, but what really goaded me was her premise. To wit: that somehow, travel can be extrapolated into memoir.
Posted by Anika at 7:22 PM 0 comments
I have a problem with people who write about India. I realized it today while reading AA Gill’s “A Short Walk in the Hindu Crush” which is perhaps the best travel essay I’ve ever read about India, and a great travel essay to begin with.
I have a problem perhaps because I feel as if India sleeps in my bones, a latent tiger, or at least a chemical reaction I can neither predict nor control. It irks me because all my life people here have said to me “You’re Indian” and what do they know about that? “Foreign-ness” is a mantle that doesn’t sit easy on anyone, and when I meet other first generation children I’m drawn to them for this reason. Whether they’re from Cuba or China or Guatemala, it doesn’t matter. We have that same energy, that same sense of waste-not inherited from parents who had nothing to waste. We’ve been called something, whatever it is, but not American. We’ve been called it for so long that we’ve begun to believe it’s true. The most interesting thing I realized while in India was that I was, in fact, American.
And to some people this will seem naïve, but my question is, how can you sit around a table with friends you’ve known for years, and listen to them talk about the post-9/11 world and the general justifiability of racial profiling, and not feel like the Other? How can you ignore the elephant in the room, the elephant in the form of you? How can everyone else ignore it, is the question. And then, they write about India as if they know what it means.
Well, I have news for you Tigger, you can’t have it both ways.
Posted by Anika at 6:45 PM 1 comments
Ryan Lizza has a long article about Barack Obama in The New Yorker. You can read the full 15 pages if you like, but his opening interview with longtime Illinois Alderman Toni Preckwinkle seems to be the scoop. Preckwinkle, who’s known Obama for years, seems shocked by the guy’s meteoric political rise, and she goes so far as to suggest Obama has lost his personal integrity.
Posted by Anika at 6:05 PM 0 comments
In the course of work I came across this quote about science education in America:
It comes from a study of – of all things – role playing games, by Kurt Squire and Mingfong Jan.
Reading the quote brought me to a strange realization. In order to graduate high school, I had to do a lot of things. But what about the things I didn't have to do? For example, not once did I engage in a scientific inquiry where the outcome was in genuine doubt.
I engaged in plenty where my competence was in genuine doubt, which led to a whole host of dubious outcomes. But even in in the depths of the darkest Methyl Blue haze, I knew what was supposed to happen.
But of course I didn’t design experiments, you’re all thinking. Hell, if I did things like that I would be Einstein! Newton! Confucius! (Maybe not Confucius…) That guy who won the Nobel Prize recently because he did something with something and now other scientists can do something else with something!
The thing is, the way those experiments worked,
When I was a kid, the opposite was true. I started life knowing nothing. If I came up with a plan involving my little sister and a sled made from a box, and the plan didn't work, then I had to come up with a new plan involving a trash can lid and a box, and if that didn’t work, then I had to find a new hill altogether, and so on.
If this is also how scientists learn, that explains why so many of the world’s greatest inventions have been mistakes. Invention isn’t what happens when you go to the drawing board, it’s what happens when you go back to the drawing board.
But wait, you’re thinking. Most schools don’t have the facilities to support higher-order scientific inquiry.
This might not the case. One of my most interesting high school experiments involved dropping an egg from a great height. In order to determine how impact acted upon the fragile egg, my partner and I had to make some diagrams, come up with an impulse estimate, and then design a little “egg-carrier.” The egg, ensconced in carrier, was ceremoniously dropped two stories.
Our egg survived. Others were not so lucky.
But what if all those people who weren’t so lucky had to go back and re-design their egg carriers? What if we all had to do that when one of our experiments didn’t work?
The reason role playing games reflect this process so well is because they offer no guides or guarantees. Playing one is like stepping into a new world. It’s like the day you were born. You don’t know the rules. You can only experiment, and through experimentation, survive.
Philosophers, as any good IB knows, recognize two forms of knowledge. Knowledge gained through being told (don’t touch the electrical outlet) and knowledge gained through experience (really, don’t touch it).
Is knowledge gained through experimentation different? Does it fall under experiential knowledge, or is it something else altogether? A fusion of those two forms? I’m sure the pros (Plato? Mill? Aristotle? That guy who said something about something?) have tacked this one. I’m just bringing it up.
And here’s my other question: remember all those computer and science nerds people made fun of in high school for their gaming ways? What if all that time, all those kids were learning how to think? What if some people have a gift for original inquiry, and those people are drawn to gaming, with its complex world of unintelligible rules?
I, for one, have never played an alternate reality or role playing game. But maybe I should start.
Posted by Anika at 7:06 PM 0 comments
I don't like Jhumpa Lahiri. Actually, it's her writing I don't like. Everything else is (probably!) fine.
Now that I've gotten that monkey off my back.
I've read every one of her books. I've given nearly $100 to her publishers' children's college funds.
But that charity appeal no longer moves me, because the truth is I don't think she's very good. If the New York Times, The New Yorker, and the Pulitzer Committee don't know good writing, what the hell do I know?
Good question. Here's what I do know: reading Interpreter of Maladies reminded me of seeing the "Mona Lisa." I nearly broke my neck staring up at the Sistine ceiling of Renaissance fame, and at no point was I disappointed. But some things are almost too famous for their own good. If I'd come to Interpreter tabula rasa, I might have felt I'd found a diamond in the rough. As it was, I felt I'd unearthed copper ore - during the Gold Rush.
The Namesake, plot of which boasted more whimsical turns than a country lane, ran long, but at least the destination was interesting.
But in her new collection, four "No Longer a Short Story, not Quite a Novel" types, what was once fresh has started to go stale. Her characters, much like married couples who have been friends for years, have started to resemble each other more than is entirely permissible.
Lahiri describes the same family over and over in (too) spacious prose. They're all Bengali, the mothers wear saris, the fathers seem a bit befuddled, the children speak English and marry WASP's, despite their parents' chagrin.
This may seem like a lot. But it actually gets quite predictable. I'm not saying Lahiri must speak for an entire diaspora, but she could do a better job capturing diversity even within the slice of Indian-Americana that she's cut for herself. And because the characters are flat, the stories themselves don't have much lift or heart.
With some writers, the whole story is much more than the sum of its words. Whereas with Lahiri's writing, the whole has somehow become less.
Posted by Anika at 4:12 PM 0 comments